From the always entertaining and informative website, Atlas Obscura (if you’re not already reading it, you really should be…) comes the story of a sunken steamship that was discovered in the middle of a corn field in Missouri. How the steamboat Great White Arabia ended up in the corn field is only half the story (the Missouri River shifted course, leaving it on, or rather under, dry land).
Some of the crockery excavated from the hold of the Arabia (Photo by Wikimedia user Johnmaxmena2).
The amazing part of the story is the amount and variety of immaculately preserved cargo found on board. The Arabia was on its way upriver loaded with all the sundry items required for life on what must have been not too far from the American western frontier when it sank in 1856. Because the ship and its cargo has spent most of the time since underground and not underwater, they have been amazingly preserved.
The team that discovered and excavated the steamboat have opened the Arabia Steamboat Museum to display some of the 200 tons of cargo excavated before the field had to be replanted with corn. If I’m ever in that part of the country, I think it would be an extraordinarily interesting museum to explore.
Photo credit: Yale University Art Gallery
We are living in times in which we are striving to make the digital look more and more perfectly mechanical, especially here in Silicon Valley.
So it is refreshing to see something that is purely and simply mechanical in its very being. No pixels, no user interface, no MP3 files. Just gears and springs and levers artfully crafted, and beautifully encased in hand-worked precious metals and gems, depicting the Diana, goddess of the hunt in her chariot.
From the always entertaining and educational blog Two Nerdy History Girls, the video shows the automaton/clock in action. I can imagine it being quite the site at early 17th century soirees Even today, it is quite amazing!
Thirty Days Later, the steampunk short story anthology that I mentioned here launched a couple of weeks ago at Clockwork Alchemy, San Jose, California’s steampunk con. I am honored to be amongst the talented writers that have come together to create this collection. The concept is a bit different: each writer pens two short stories–separated from each other by Thirty Days.
Proceeds from the book will be donated to literacy charities. You can order Thirty Days Later from Amazon as paperback and for Kindle, and from Smashwords for many other ebook formats.
Back in September 2014, when I was preparing to launch my first book To Rule the Skies, I posted on this blog, an Anteprologue to the novel, that is, a prologue that comes before the actual prologue that begins the book. At the time, I likened it to the short between-seasons webisodes that Doctor Who was presenting, or the Marvel One-Shots that served to connect the various Marvel Cinema movies.
I’ve continued to putter on this piece and have now re-written it a bit and fixed what I thought were some inconsistencies. So, in celebration of 2016 Clockwork Alchemy, San Jose’s steampunk con that’s taking place this weekend, I’ve now published it as a free download on Smashwords. Take a look at it and let me know what you think. If you like it, you might be interested in the novel that it’s an anteprologue of, also available on Smashwords as an ebook for everything but Kindle, and on Amazon for Kindle and in paperback.
And if you’re at Clockwork Alchemy this weekend, stop by Author’s Alley and say Hi to me and all the other talented authors that will be there.
Before there were MP3 files, before CDs, before vinyl, there were waxed cylinders upon which were stored the faint tracings that could be replayed as sound.
Thomas Edison patented the first phonograph in 1880, and cylinders maintained their popularity until the 1910s when discs began to outsell them. The University of California, Santa Barbara has archived and digitized over 10,000 of these cylinders and made them available on the web.
Rummaging through the collection gives a real taste of the turn of the (last) century. Most of the cylinders contain music. If you like marches, this was the time of John Philip Sousa. There are also some recordings of important speeches of the day, including several by Theodore Roosevelt, and a description of his journeys in Antarctica by Ernest Shackleton.
For the steampunk enthusiast, there’s also a recording from 1905 of a song titled, “Come, take a trip in my air-ship.” (And for a modern recording of this song, listen to Unwoman (a Steampunk favorite) sing it. You can even buy her version on a cylinder, in case vinyl isn’t hip enough for you!)
Personally, I’ve used these recordings to give a bit of ambience as background music in a historic house museum I’m involved with. Most people don’t notice it, but it lends a bit more authenticity to the experience, I find. And I’ve spent a fair amount of time just perusing the archives, listening to the sounds of ghosts from the past.
I had wanted to read The Difference Engine by William Gibson and Bruce Sterling for some time. It is widely regarded as one of the first novels to bear the description “steampunk” when it was published in 1990, and rightly so, as the book contains many of the themes and plot devices that have become common in steampunk literature.
The novel takes place in an England in which Charles Babbage has succeeded in building his mechanical computer—the “Difference Engine” of the title, although the machine more resembles his more advanced “Analytical Engine”. This event serves as the catalyst to careen the world off onto another timeline, and the authors imagine all the consequences and consequences of consequences that occur to change British society. For example, the anti-technology Tory party loses a national election, prompting the prime minister, Lord Wellington, to stage a coup to retain power. In the subsequent counter revolution, the Radical party comes into power and replaces the hereditary House of Lords with peerages awarded to savants for scientific merit.