Today is the anniversary of one of the most bizarre disasters. Here’s a re-blog of my post from 2012, the centenary of the disaster.
Transept of the Crystal Palace, 1851, the center of the Steampunk Architecture Universe.
Six years or so ago, I wrote a blog post titled “Steampunk Architecture” in which I gave a short description of several examples of real-life architecture that reflect the Steampunk Aesthetic. Since then it has been one of the most popular posts on my blog. I’ve also presented it as ta talk at the Bay Area’s steampunk con, Clockwork Alchemy.
As luck would have it, I had updated my presentation significantly in preparation for Clockwork Alchemy 2020 which subsequently caught the coronavirus and was postponed until 2021 (we hope). However, I want to present some of my talk here.
Full disclosure, I’m not an architect or a historian, but I am interested in how architecture reflects its society and vice versa, how society affects the architecture it builds. The Victorian Age was such a transformative time with huge changes in social, economic, and technological arenas. The architecture that was built in that time artifacts of that era.
So, what is Steampunk Architecture?
Yes, what is it indeed? Given that the many steampunk universes that exist are all fictional, how can there be real-life Steampunk Architecture?
Well, we know what the standard Steampunk Aesthetic is–vaguely Victorian with an overlay of superfluous detail and quasi-functional mechanisms. While there are many variations of this aesthetic (and I’m not going to get bogged down in the arguments about what is and isn’t steampunk), the big tent that is Steampunk contains all manner of variations on these design features.
So let’s take this Steampunk Aesthetic and see how it might have existed in the Real World –the mundane one that we live in, or at least in which our 19th century ancestors did. At the beginning of the 19th century, building materials were stone, brick, plaster, and wood. Any decoration was applied by hand by painting or carving. By the 1830s or so, the steam engine was being refined and soon it was applied to the fabrication of building materials. Steam powered saws, lathes, drills, etc. reduced the cost of building materials and put non-functional building decorations into the hands of the middle class, and on otherwise utilitarian and industrial buildings.
Similarly, the introduction of new building materials enabled bigger, more elaborate and just more impressive buildings. Cast iron, and eventually, steel support beams provided the skeletons of 19th century buildings instead of bricks and stone. Improvements in the production of window glass created larger panes, allowing more light into buildings. Inexpensive ass-produced ornamentation fed the Victorians’ desire for endless design details.Continue reading
Halloween is the holiday for Makers, as it gives us ample opportunities to express our creative side by making costumes decorations, and all the clever bits that go with them.
Over the years, I’ve blogged about a few Steampunk DIY projects that I’ve taken on. Here they are all in one place:
Good luck with these suggestions. If you have any questions, ask away! There’s only a few more days until Halloween though, so get a move on. Or start planning (and Making) for next year.
This book is the latest Airship Flamel Adventure featuring Professor Nicodemus Flamel, the main character in this series.
Charles Darwin, one of Britain’s most famous and certainly most controversial scientists has a puzzle. How could it be that cultures all over the world–who had no prior contact with each other–have ancient myths of dragons? Could dragons have once lived alongside ancient man? Could dragons still exist?
Professor Nicodemus Boffin and his newly launched airship Flamel takes up the famous naturalist’s request to search for evidence of modern dragons. The voyage takes Flamel from Britain through the Middle East and over the Himalayas to China. The search is barely begun when Flamel discovers an illicit gold mine run by Cai Yuan, a cruel Chinese warlord, and his corrupt British collaborator. Professor Boffin and his family are taken hostage in the mine which seems to be guarded by a fierce dragon. The crew of Flamel must rescue them, and together discover whether Mr. Darwin’s dragon truly exists.Enjoy!
I’m not interested in trying to define steampunk. Any number of articles and blog posts have been written on the general topic of “What is Steampunk?” While there’s a certain usefulness in that endeavour (Steampunk isn’t “anything you want”.), I’m happy to believe that steampunk can encompass, or at least cast its brass begoggled gaze over, an astonishingly broad swath of our sci-fi/fantasy microcosm.
Also, who am I to tell my fellow foot soldiers in Her Majesty’s Legions that their magic-infused automatons are any more or less valid than my British professor travelling the world on a Voyage of Discovery in his plasma-powered airship?
I would, however, like to describe what Steampunk has come to mean to me—my own personal, subjective opinion.
I’ve been interested in Victorian design for some time. I live in a 1880s Victorian house. I also have a deep fascination with Victorian Era technology, which is simple and visible enough to understand its function— the clicks of a telegraph key or the swoosh of a steam piston—yet powerful enough to build an Empire. Industrial Revolution practicality combined with completely superfluous decoration embody the two precepts of William Morris’s adage, “Have nothing in your house that you do not know to be useful, or believe to be beautiful.”
I can’t remember exactly when I first heard about this thing called steampunk. It was likely sometime between a visit to Maker Faire and seeing my neighbors preparing for Burning Man. At Maker Faire I saw the League of S.T.E.A.M., a performance group of steampunk ghostbusters, as well as the group Obtainium Works, then known mostly for the Neverwas Haul, a self-propelled Victorian house.
Seeing these groups and their fantastic self-made outfits and props was truly inspiring, especially considering my science background and interest in the history of the Victorian Era. Who knew that there were others with the same combination of interests as me? And that they could build a functioning (well, mostly functioning) zombie immobilization engine?
Maker Faire became an annual event for our family, and we met many more amazing Steampunks wandering around the Faire. My sons wanted to make their own steampunk outfits one year and were searching for accessories to combine with pieces borrowed from the neighbors’ costuming box. I modded a neon-colored water pistol from the dollar store into a reasonably respectable plasma pistol for one of them to carry around. It was my gateway project that urged me further down the rabbit hole that is Steampunk. (My next pistol was built around a small plasma globe that I first saw as part of a steampunked electric guitar.)
Maker Faire (RIP) led to Nova Albion (RIP) which led to Clockwork Alchemy, the Bay Area’s steampunk con, and the Dickens’ Fair, a celebration of Dickensian Christmas which also attracts many steampunk fellow travelers.
So, what does steampunk mean to me? Steampunk is joyful and collaborative. It is the opposite of cynical and sarcastic. But witty though, it’s definitely witty. Steampunk is good-natured and and good-humoured. (Yes, I added a British “u” there, because it’s fun! Brits, you can omit your superfluous “u” if you want to explore Wild Weird West-style Steampunk.)
I delight in the Steampunk Aesthetic, in all its brass cogs, steam engines, airships, top hats and corsets. Self-made props and gadgets, some of which truly rise to the level of Art, astound me with their cleverness and sense of humor. Just as important is the generosity and sense of camaraderie amongst steampunks. I have found us to be always quick to help out with friendly and helpful advice on techniques and resources for the often arcane materials we might need to get that appearance just right. This sense of fellowship continues for my author comrades, the Treehouse Writers, at Clockwork Alchemy. They helped me get started writing with encouragement and suggestions when all I had was a first chapter, and misty visions. Now, three books and several short stories later, I know I can always rely upon them for advice and support.
And just last week, upon the cancellation of Clockwork Alchemy 2020 because of the pandemic, the volunteer organizers mounted a replacement concert, completely on-line with the artists that were to attend the con streaming their performances from bedrooms and basements to fellow steampunks around the world.
I have no doubt that the Steampunk Spirit will prevail and I’ll be attending Clockwork Alchemy again next March.
As part of Smashwords’ “Authors Give Back” sale, I’ve reduced the price of the first book in the Airship Flamel Adventures series, “The Secret Notebook of Michael Faraday” (e-book version) to FREE until April 20, 2020.
Here’s the synopsis:
Nicodemus Boffin rose from a boyhood in the ash heaps of East London to reach the pinnacles of British science when he is mentored by the great scientist, Michael Faraday. When Nicodemus finds a secret laboratory notebook in which Faraday has described incomprehensible experiments, Nicodemus wonders if his mentor has discovered a new science, or lost his faculties. Nicodemus’s rival, the Viscount Whitehall-Barnes, seeks to gain the notebook by any means necessary to study the descriptions of a strange orange mineral with unusual properties which he believes is the alchemists’ Philosopher’s Stone. Realizing that the Viscount must never learn the secrets of the orange stone, Nicodemus takes action to keep the knowledge hidden, protect his family, and preserve the legacy of his mentor.
Available in many e-book formats: epub mobi pdf lrf pdb txt html
Sale ends on April 20, 2020.
I hope it gives you a bit of an escape in these anxious times.
I am very pleased to announce that my latest novel in the Airship Flamel Adventures Series, Mr. Darwin’s Dragon, is now available on Amazon for paperback and Kindle formats and on Smashwords for most other ebook formats. Here’s the synopsis:
Charles Darwin, one of Britain’s most famous and certainly most controversial scientists has a puzzle. How is it that cultures all over the world have ancient myths of dragons? Could dragons have once lived alongside ancient man? Could dragons still exist?
Professor Nicodemus Boffin and his newly launched airship Flamel takes up Darwin’s request to search for evidence of modern dragons. The voyage takes Flamel from Britain through the Middle East and over the Himalayas to China. The search is barely begun when Flamel discovers an illicit gold mine run by Cai Yuan, a cruel Chinese warlord, and his corrupt British collaborator. Professor Boffin and his family are taken hostage in the mine which seems to be guarded by a fierce dragon. The crew of Flamel must rescue them, and together discover whether Mr. Darwin’s dragon truly exists.
The book will be launched next weekend at Clockwork Alchemy, the San Francisco Bay Area’s steampunk con. But that’s not all. I also have written one of the eleven short stories published in an anthology titled, Next Stop on the #13, put together with many of the talented authors that you’ll be able to meet at Clockwork Alchemy.
If you’re interested in Steampunk and in the Bay Area next weekend (March 22-24), I wholeheartedly recommend you attend and take part in the shenanigans. I’ll be in the Author’s Alley section of the Artist’s Bazaar. Come by and say Hi!
Also, come by and see me at the two panels I’ll be presenting. On Saturday at 2:00 pm, I’ll be giving a talk on Steampunk Architecture, and on Sunday at noon, I will be presenting “How to Research” along with the master of alternative history, Harry Turtledove. (I expect to learn more from him than I teach myself.)