A preview, of sorts

As I was writing this afternoon, I discovered that this paragraph had appeared on my computer screen:

“And what about me, Nicodemus?” asked Jane.  “This is the second time in this book series that I’ve been locked in a dungeon!”

I didn’t mean for Jane Boffin (née Faraday) to suddenly become so meta, but there it was.  I’ll go back tomorrow, repair the broken fourth wall, and rework the scene, toning down Jane’s impertinence just a bit. (She is imprisoned in a dungeon after all.)

This book (the third I’ve written in the Airship Flamel Adventures series) has been listed on my NaNoWriMo page as having the working title of “There Be Dragons Here”.  Although that phrase is encountered in the novel, the story has evolved away from the pirate-y connotation that phase implies. I’m still deciding on a final title.  There will be dragons though.

Stay tuned.

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Pantsing vs. Plotting

If you spend any time around writers, the conversation will inevitably come around to “pantsing” vs. “plotting, that is, writing by the seat of your pants, or writing from a well-plotted outline.  Neither of these two methods is “right”; it’s a matter of one’s preference, and, well, personality.

I’m a scientist by training as well as by temperament, so you’d think that I would fall into the plotters’ camp.  But no.  I usually have to be dragged kicking and screaming into working out a plot. I’m more of an R&D scientist than a Quality Control scientist.

When I was writing my first book, which I did during NaNoWriMo, I started writing and just kept going.  I reveled in the magic that occurred when my characters came to life and I felt as if I was just following them around taking dictation.  A method which works out well if you have a pretty good idea where your characters are going in the first place.  Around day 13 or so of NaNoWriMo, I realized that my characters were being a bit more wayward than I wanted.  So I stopped writing and spent a day figuring out what kind of adventure they were on, and what was going to happen to get them to the end of it.  Once I had some idea of the plot ahead (and really, it was a pretty flimsy outline that I had crafted…), I could go back to happily letting my cast of characters lead me through their adventures, and banging out my 1666 words per day until I had reached the end of November, and fortunately, the end of the story.

I recently found myself in a similar circumstance in my (third!) novel whose working title is “There be Dragons Here”. I participated in NaNoWriMo again this year, but since I realized that I’d never have time enough to reach 50,000 words written in November (“winning” in NaNoWriMo parlance), I set a lower goal of 500 words per day which I easily accomplished.  But come around New Years, even though I was still writing at a fair clip, I felt that my characters were losing their way, and began to wander aimlessly.

So, I cut off about three feet from a big roll of butcher paper I have, put on my writer’s sweater (the one with the elbow patches), and sat down with a big cup of coffee and pens of many colors to craft an outline, or at least a visual flow chart of what has to happen to each character from the beginning of the story to the end.  A couple of hours later, the outline was completed with a few surprises. A couple of characters end up being not quite who I had suspected, a whole set of airpirates turn out not to be in this book after all, and one event that I had hoped to be able to work out differently I realized has to happen the way I had first conceived after all. And by the way, I discovered a starting point for the next book that I hadn’t realized was going to happen (a four-book trilogy, hurrah!)

So, pantsing vs. plotting? Both have their uses.  Pantsing can be magical, but only if you have a good idea of the plot already.  Plotting, I’ve found, can be necessary at some point in writing your story if only to keep the action moving and to keep the strands of your plot as tangled or untangled as they need to be.

How I plan to lose NaNoWriMo this year

NaNoWriMo, short for National Novel Writing Month, is a program run out of Berkeley, California that supports writers, especially first time writers, in completing a novel in one month, November.

The numerical goal is to write 50,000 words. Don’t research, don’t edit, just get your story down on paper, and worry about fixing things later.  50,000 words is a shortish novel, but you’re only working on the first draft anyways, so there’s plenty of time for editing later. Continue reading

The Secret Notebook of Michael Faraday — Now Available!

I am happy to announce that my second book, The Secret Notebook of Michael Faraday, is now available!

170409 Cover

This novel is the second I’ve written in the Airship Flamel Adventures series, but is actually a prequel of my first novel, To Rule the SkiesWhen I wrote that book, I came to the realization that I was starting in the middle of Professor Nicodemus Boffin’s story.  This new book tells some of his history.  Here’s the synopsis:

Nicodemus Boffin rose from a boyhood in the ash heaps of East London to reach the pinnacles of British science when he is mentored by the great scientist, Michael Faraday. When Boffin finds a secret laboratory notebook in which Faraday has described incomprehensible experiments, Nicodemus wonders if Professor Faraday has discovered a new science, or has lost his faculties. Nicodemus’s rival, Viscount Whitehall-Barnes, seeks to gain the notebook by any means necessary to study the descriptions of a strange orange mineral with unusual properties which he believes is the alchemists’ Philosopher’s Stone. Realizing that the Viscount must never learn the secrets of the orange stone, Nicodemus takes action to keep the knowledge hidden, protect his family, and preserve the legacy of his mentor.

Besides telling the story of how Nicodemus Boffin grows from a poor but uncommonly clever boy in the slums of London to the forefront of Victorian British science, the novel features pompous aristocracy, a surprisingly capable laboratory assistant, and snarky air pirates.  Several Illustrious Personages may wander through the story as well.

The Secret Notebook of Michael Faraday is available in paperback and Kindle format at Amazon, and in many other ebook formats at Smashwords.

Thirty Days Later is here!

30-days-later-cover

Thirty Days Later, the steampunk short story anthology that I mentioned here launched a couple of weeks ago at Clockwork Alchemy, San Jose, California’s steampunk con.  I am honored to be amongst the talented writers that have come together to create this collection.  The concept is a bit different:  each writer pens two short stories–separated from each other by Thirty Days.

Proceeds from the book will be donated to literacy charities.  You can order Thirty Days Later from Amazon as paperback and for Kindle, and from Smashwords for many other ebook formats.

 

The Anteprologue to “To Rule the Skies”–Redux

Anteprologue cover

Back in September 2014, when I was preparing to launch my first book To Rule the Skies, I posted on this blog, an Anteprologue to the novel, that is, a prologue that comes before the actual prologue that begins the book.  At the time, I likened it to the short between-seasons webisodes that Doctor Who was presenting, or the Marvel One-Shots that served to connect the various Marvel Cinema movies.

I’ve continued to putter on this piece and have now re-written it a bit and fixed what I thought were some inconsistencies.  So, in celebration of 2016 Clockwork Alchemy, San Jose’s steampunk con that’s taking place this weekend, I’ve now published it as a free download on Smashwords. Take a look at it and let me know what you think.  If you like it, you might be interested in the novel that it’s an anteprologue of, also available on Smashwords as an ebook for everything but Kindle, and on Amazon for Kindle and in paperback.

And if you’re at Clockwork Alchemy this weekend, stop by Author’s Alley and say Hi to me and all the other talented authors that will be there.