Transept of the Crystal Palace, 1851, the center of the Steampunk Architecture Universe.

Six years or so ago, I wrote a blog post titled “Steampunk Architecture” in which I gave a short description of several examples of real-life architecture that reflect the Steampunk Aesthetic. Since then it has been one of the most popular posts on my blog. I’ve also presented it as ta talk at the Bay Area’s steampunk con, Clockwork Alchemy.

As luck would have it, I had updated my presentation significantly in preparation for Clockwork Alchemy 2020 which subsequently caught the coronavirus and was postponed until 2021 (we hope). However, I want to present some of my talk here.

Full disclosure, I’m not an architect or a historian, but I am interested in how architecture reflects its society and vice versa, how society affects the architecture it builds. The Victorian Age was such a transformative time with huge changes in social, economic, and technological arenas. The architecture that was built in that time artifacts of that era.

So, what is Steampunk Architecture?

Yes, what is it indeed? Given that the many steampunk universes that exist are all fictional, how can there be real-life Steampunk Architecture?

Well, we know what the standard Steampunk Aesthetic is–vaguely Victorian with an overlay of superfluous detail and quasi-functional mechanisms. While there are many variations of this aesthetic (and I’m not going to get bogged down in the arguments about what is and isn’t steampunk), the big tent that is Steampunk contains all manner of variations on these design features.

So let’s take this Steampunk Aesthetic and see how it might have existed in the Real World –the mundane one that we live in, or at least in which our 19th century ancestors did. At the beginning of the 19th century, building materials were stone, brick, plaster, and wood. Any decoration was applied by hand by painting or carving. By the 1830s or so, the steam engine was being refined and soon it was applied to the fabrication of building materials. Steam powered saws, lathes, drills, etc. reduced the cost of building materials and put non-functional building decorations into the hands of the middle class, and on otherwise utilitarian and industrial buildings.

Similarly, the introduction of new building materials enabled bigger, more elaborate and just more impressive buildings. Cast iron, and eventually, steel support beams provided the skeletons of 19th century buildings instead of bricks and stone. Improvements in the production of window glass created larger panes, allowing more light into buildings. Inexpensive ass-produced ornamentation fed the Victorians’ desire for endless design details.

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